Visitor Information
Opening Ceremony: December 15, 2025, 7:00 PM
Venue: G/F Piano Foyer, Shaw Auditorium, HKUST
Exhibition Dates: December 15, 2025 – January 20, 2026
Time: 10am - 6pm
Venue: G/F, Gallery 119 & Room 207*, Shaw Auditorium, HKUST
(*Open from 15–18 Dec only)
💡 Certain works feature interactive elements;
It is recommended to allow ample time for a full experience.
Registration
Opening Ceremony (15 Dec)
https://forms.gle/o5aFCryrYPguuiB26
Exhibition Registration (for 15 Dec 2025 - 20 Jan 2026)
https://forms.gle/mwuhdcQ8Efv8z6L3A

EXHIBITION INTRODUCTION
This exhibition constitutes a progressive journey through technological art, guiding visitors through three interconnected physical and sensory spaces.
The journey begins on G/F's Panel Zone Signal Atlas: Prologues to Algorithmic Worlds. Interaction here feels like a gentle touch on the water’s surface, sending ripples of curiosity across your mind. It invites you—through fingertips and gaze—to open the first gateway to technology art. Here, through relaxed and friendly interactive installations and cross-media narratives, everyone is encouraged to touch, engage, and awaken their curiosity, serving as a vibrant entry point into the exhibition.

Upon entering Gallery 119’s Installation Zone Symbiosis Grounds: Reprogramming Bodies, Tasks and Traditions, the body becomes a probe, VR a periscope, and data an undercurrent. The space shifts towards immersion and introspection, guiding visitors through VR, bio-signal interactions, and sensing devices to confront the costs of data-driven existence, reshape the boundary of senses, and contemplate how cultural memory can be reactivated in a dialogue between tradition and technology.

Finally, entering Room 207's Screening Zone Constellation of Images: Algorithmic Archaeology, Post-human Perception and Virtual Psyche, projections drift like streams of thought, while AI narratives unfold like dreams. In the darkness of contemplation, layered projections and AI micro-films weave an enveloping audiovisual realm, inviting visitors to linger, gaze, and resonate, completing a full journey from bodily engagement to emotional sedimentation.

Together, the three exhibition zones constitute an immersive and reflective experience, moving from interaction to contemplation, from the body to the image, inviting all to explore how technology reshapes our perception, memory, and connection.
Credits
Artists
| Tristan BRAUD | Ziwei CHI | Daniel CHUN | Yikun DI | Kedi DONG | Haoyu DU |
| Xiaomin FAN | Zhengnan GUO | Zirui GUO | Shiqin HOU | Yi HU | Jiayang HUANG |
| Pan HUI | Yuyang JIANG | Xiaokang LEI | Boyu LI | Hao LI | Yufan LI |
| Siyuan LIU | Yassin POINTNER | Mika SHIRAHAMA | Pui Yi TAM | Changyingzi TANG | Yuying TANG |
| Wilson TANG | Duotun WANG | Haoxuan WANG | Jue WANG | Zeyu WANG | Zheng WEI |
| Zhen WU | Zirui WU | Harry YANG | Jie YANG | Azure ZHANG | Kang ZHANG |
| Linruo ZHANG | Peng ZHOU | You ZHOU | Yue ZENG | Xiaolin ZHU | Shuai ZOU |
| China Mobile (Zhejiang) Research & Innovation Institute | Zhejiang Satellite TV Digital Human Studio | ||||
Presented by
Division of Arts and Machine Creativity (AMC), Academy of Interdisciplinary Studies, The Hong Kong University of Science and Technology
Computational Media and Arts Thrust (CMA), Information Hub, The Hong Kong University of Science and Technology (Guangzhou)
Academic Advisors
Huamin QU
Hongbo FU
Pan HUI
Exhibition Coordinators
Ziwei WU, Ingeborg REICHLE
Curatorial Team
Yifan LIU, Feifan CHEN, Ziwei CHI
Project Management
Feifan CHEN, Ruoxue LIN, Zhuli PAN
Graphic Design
Zhengnan GUO, Yihan LIU
Spatial Design
Qiang YU, Ziwei CHI
Video Production
Lingjun MI
Communications & Social Media
Zhuli PAN, Ruoxue LIN
Adminsitrative Support
Holly CHAN, Jeffery CHAN, Emily Sihuan LIU, Yeming LI
Venue Partner
HKUST Shaw Auditorium
Production Support
HKUST Media Technology and Publishing Center (MTPC)
Event Promotion Partner
SIGGRAPH Asia 2025
Special Thanks
The Hong Kong University of Science and Technology Library